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“Sometimes teens are drawn in for the wrong reasons,” she said to the small group gathered in the library’s newly refurbished “J” Room. “They are looking to be different or shocking, and think Wicca is a way to do that, a way to rebel.”

Simms said the negative connotations associated with the word “witch” do not help the Wiccan community. “It promotes a lot of knee-jerk reactions, which is why I do not choose to stand out in this way. I feel comfortable in my spiritual path, and that is what’s important to me.”

Simms, who has been involved in Wicca since joining the Covenant of the Goddess group in San Diego in 1987, formed her own circle and became a high priestess in 1991 after research and experimentation with religion. “I was not satisfied with my religion at a young age,” she said of her Protestant youth. Simms went on to embrace the Catholic Church, a religion she said she “returned to the most,” but eventually moved on from.

“It was for the wrong reasons,” she said. “I enjoyed the high church ceremony, the candles, the incense. I tried to be Catholic for a long time. But once it came down to the dogma of the religion, my opinions differed.”

The search for a feminine concept of deity is the thread running through the Wiccan religion, Simms said. “In Wicca, a goddess is more equal.”

The Covenant of the Goddess, according to Simms, was started by feminist activists after the feminist movement of the ’60s and ’70s.

Simms also began studying astrology in her 30s, looking for not only an intuitive path but an intellectual one as well. “Astrology brought me to the intellectual concept I needed.”

Once she found the Covenant of the Goddess, she said she felt comfortable for the first time.

“It’s the community you’re in that matters the most,” she said. “The best part of Wicca is being able to live by your own ideals.”

Simms reactivated her circle when she moved to New Hampshire in 1997, but said she is less active here than in San Diego.

According to Simms, Wiccans live by what is called the Wiccan Rede: Harm none, do as you will.

“A major concept in Wicca is the three-fold law, where whatever we create, whether it is joy or pain, will be brought back to us three-fold.”

Simms emphasized to the teens the importance of learn about all comparative religions before choosing one.

“A lot of studying must be done in order to make the correct choice,” she said. “If you study, you will see a common thread through all religions. If rebellion is the primary reason for studying Wicca, I hope those teens get beyond that and see the real deal.”

Simms said that while she enjoys Wicca and has been studying it for a number of years, she is never locked into the religion.

“I will probably stay and keep learning, but I will never just believe something because someone else says it,” she said. “Just as I don’t want anyone to believe something just because I’m teaching it. You should read, study, probe, and know why you’re believing in something.”

Exeter News-Letter Local News

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by Sarah Warn, October 27, 2005

Now that he has decided to talk about it publicly, Takei joins a short list–which also includes BD Wong (Law and Order) and Alec Mapa (Half & Half)–of openly gay Asian American actors.

68-year-old Takei was born in Los Angeles, but spent his childhood in Japanese internment camps in Arkansas and Northern California. His family moved back to L.A. for his junior high and high school years, and he went to U.C. Berkeley to major in architecture. But a summer job at MGM doing Japanese to English translation for a cartoon series inspired Takei to switch from architecture to acting, and from Berkeley to UCLA.

He landed a few roles in theater, which led to bigger roles, feature films, and eventually, Star Trek.

“I’ve been enormously lucky [in my career]” Takei told a Montreal radio station in 1994, “and certainly the capper on the string of luck was meeting Gene Roddenberry and to be cast in the role of Sulu, which was a breakthrough role for an Asian American actor….I think Sulu played a very important role in balancing the perception of Asians by the North American public.”

Since his career-defining role as Mr. Sulu in the ’60s, Takei has continued to perform in theater, film and television, with more than 30 feature films under his belt, a role on and has been a guest-star on numerous TV shows, including General Hospital.

He received a star on Hollywood Boulevard’s Walk of Fame in 1986, and published a well-reviewed autobiography in 1994 called To the Stars. He currently stars in an L.A. production of the Tony Award–winning play Equus.

Takei has also been very active in local and international politics throughout his life. He almost won a seat on the Los Angeles City Council in 1973, but lost by a narrow margin. He served on the board of directors of the Southern California Rapid Transit District for over a decade in the ’70s and ’80s.

He was appointed by President Clinton to the board of the Japan-United States Friendship Commission, where he served two terms, and the Government of Japan recognized George’s contribution to the Japan-United States relationship by giving him the Order of the Rising Sun, Gold Rays with Rosette.

Takei was attracted to boys from a young age, and quickly discerned that this wasn’t “normal”.

Takei struggled with “feeling ashamed because you’re Japanese-American, and feeling like you’re different because of your [homosexuality],” he tells Frontiers. “And then [as you grow older], with reading, and talking to other people, your understanding of the situation starts to grow.”

“And you think, ‘It’s wrong, this [shame] is not right.’ And you start sharing it with more people, and you find other friends and organizations.”

Until eventually, he says, “you come to realize ‘This is who I am. And by gum, I’m not going to let it be a constraint!’ In the same way that I’m not going to let the fact that I am a Japanese-American, who was unjustly incarcerated and grew up with that, be a constraint.”

It was through one of those organizations, the L.A. gay runners club Front Runners, that he met his partner Brad. A runner since his junior-high days (Takei has run in six marathons), he saw an ad for the club and decided to try it out.

He and Brad began to train together, and then, “we discovered that we had common interests in the theatre—he was a journalist—we’d go to plays together and, you know, things happen,” Takei laughs.

Takei’s been open about his sexuality to his family for several years. While one sibling still has a problem with him being gay, Takei’s mother seems to have made her peace with it. “My mother, initially, had some adjustments to make, but she got to like Brad very much,” he tells Frontiers. “She got Alzheimer’s, and it got very difficult for her, so we moved her in with us. Brad was wonderful. He was a saint.”

Takei believes that American society has become more tolerant on several fronts, there is still a long way to go. “[Our society has] changed incredibly from the time I was a teenager to today, both in terms of Asian-Americans in the theater and television and films, but also for gays and our self-image, and the ability to move in our society.”

But, he adds, “We talk about diversity, ethnic diversity, but there’s another kind of diversity [sexual orientation] that we haven’t really come to grips with as a society.”

As one of the first high-profile Asian American actors on TV, Takei played a role in improving the self-image of Asian Americans. Behind the scenes on Star Trek, he pushed for his character to be promoted to Captain, believing that “the diversity of our planet must be represented onboard the ships of Starfleet”, as he told Brazilian Star Trek fan site Trek Today.

By coming out, he will help to improve the self-image and visibility of gay Asian Americans, as well.

AfterElton.com

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